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Keywords: Mikhail Muravyov, Catherine the Great, The Painter, Dmitry Khvostov, creative history, handwritten editions, text history, reconstruction.
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Ivinskiy, A. D. “On Mikhail Muravyov’s Poem ‘The Painter’ (Based on Materials of Russian State Library and Institute of Russian Literature).” Dva veka russkoi klassiki, vol. 3, no. 2, 2021, pp. 168–185. (In Russ.) https://doi.org/10.22455/2686-7494-2021-3-2-168-185  

Author: Aleksandr D. Ivinskiy
Information about the author:

Aleksandr D. Ivinskiy, PhD in Philology, Senior Researcher, A. M. Gorky Institute of World Literature of the Russian Academy of Sciences, Povarskaya 25 a, 121069 Moscow, Russia.

E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

Received: February 16, 2021
Approved after reviewing: March 30, 2021
Published: June 28, 2021
Issue: 2021 Volume 3 No. 2
Department: Textual Criticism
Pages: 168-185
DOI: https://doi.org/10.22455/2686-7494-2021-3-2-168-185
UDK: 821.161.1.0

Abstract: The article is devoted to the textual reconstruction of the poem The Painter by M. N. Muravyov. It was published in “Academic News” in 1779. In the Manuscripts Department of the Russian State Library (Moscow), we have found the earliest manuscript of this work, which we date 1775. This variant differs greatly from the final one – both in terms of volume and style. In the Manuscript Department of the Institute of Russian Literature (St. Petersburg), we found the second version of The Painter, written, as we claim, in 1778.  It was stored with Muravyov’s letters to Dmitry Khvostov. Such close attention of the author to this poem could be explained by the fact that he expressed in it some crucial ideas about the nature of creativity and about the principles of interaction with the authorities. From our point of view, The Painter is one of Muravyov’s key texts, in which he acclaimed his loyalty to the cultural policy of Catherine II.

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