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Keywords: narrative strategies, artistic model, theme of childhood, Russian literature, French literature, N. M. Karamzin, J.-J. Rousseau.
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Nikolaev, N. I., and E. Yu. Shestakova. “Childhood in the Artistic World of N. M. Karamzin and J.-J. Rousseau. Features of the Narrative Strategy.” Dva veka russkoi klassiki, vol. 7, no. 1, 2025, pp. 6–23. (In Russ.) https://doi.org/10.22455/2686-7494-2025-7-1-6-23

Author: Nikolay I. Nikolaev
Information about the author:

Nikolay I. Nikolaev, DSc in Philology, Professor, Northern (Arctic) Federal University named after M. V. Lomonosov, Northern Dvina Emb., 17, 163002 Arkhangelsk, Russia

ORCID ID: https://orcid.org/0000-0002-9141-5521
E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

Author 2: Elena Yu. Shestakova
Information about the author 2:

Elena Yu. Shestakova, PhD in Philology, Associate Professor, Northern (Arctic) Federal University named after M. V. Lomonosov, Northern Dvina Emb., 17, 163002 Arkhangelsk, Russia

ORCID ID: https://orcid.org/0000-0001-5764-0576
E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

Received: August 20, 2024
Approved after reviewing: November 19, 2024
Published: March 25, 2025
Issue: 2025 Volume 7 No. 1
Department: Russian Literature of the 18th–19th Centuries
Pages: 6–23
DOI: https://doi.org/10.22455/2686-7494-2025-7-1-6-23
EDN:

https://elibrary.ru/XBCKRC

UDK: 821.161.1.09"19"
Publication Type: Research Article

Abstract: The article aims to consider narrative strategies in Russian and Western European prose about childhood in the 18th and early 19th centuries. The research relies on the novels A Knight of Our Time by N. M. Karamzin and Emile, or On Education by J.-J. Rousseau. The work of Karamzin preserves the traditional view of the character’s childhood as a period of preparation for future life at the declarative level. However, in the principles of depiction, he departs from this logical construction and questions the linear interdependence of different periods of the heroes’ lives. The text published by him is presented as an artificially interrupted narrative, which involuntarily emphasizes the intrinsic value of the character’s childhood. This effect is enhanced by the use of idyllic time and space in the work. The narrative strategy of Rousseau is based on other principles. The narrative structure is dominated by the concept of “linear time.” The character’s childhood turns out to be significant only in the perspective of subsequent life periods.

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