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Kovaleva, G. N. “ʽ…Nikon Got up and Walked Across Red Square to Ilyinka Again’: Historical Sources of L. N. Tolstoy’s Notes About Patriarch Nikon in the Materials for <A Novel from the Time of Peter I>.” Dva veka russkoi klassiki, vol. 6, no. 4, 2024, pp. 202–217. (In Russ.) https://doi.org/10.22455/2686-7494-2024-6-4-202-217

Keywords: L. N. Tolstoy, , preparatory materials, summary records, factual sources, Patriarch Nikon, I. E. Zabelin, S. M. Solovyov, P. S. Popov.
Author: Galina N. Kovaleva
Information about the author:

Galina N. Kovaleva, Senior Researcher, A. M. Gorky Institute of World Literature of the Russian Academy of Sciences, Povarskaya St., 25A, bld. 1, 121069 Moscow, Russia.

ORCID ID: https://orcid.org/0009-0004-9179-2417

E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

Received: August 13, 2024
Approved after reviewing: October 06, 2024
Published: December 25, 2024
Issue: 2024 Volume 6 No. 4
Department: Textual Criticism. Source Study
Pages: 202–217
DOI: https://doi.org/10.22455/2686-7494-2024-6-4-202-217
EDN:

https://elibrary.ru/BQVNFM

UDK: 821.161.1.09"19"
Publication Type: Research Article

Abstract: The article examines five Tolstoy recordings dedicated to Patriarch Nikon, which are part of the preparatory materials for the unfinished “Novel from the Time of Peter I,” and the historical sources of four recordings from these materials. The author introduces information about the factual sources of the three records into scientific circulation. The article considers the source of one entry, previously established by P. S. Popov, along with newly identified sources. Established historical record sources Tolstoy’s stories about Patriarch Nikon reveal the meaning of Tolstoy’s laconic extracts from historical writings; they allow us to find out which actual events from the life of Patriarch Nikon and his supporters and opponents were selected by the writer for the documentary basis of the fictional novel. The identified sources expand the understanding of the novel’s concept, its documentary basis, and the possible range of actors; they allow us to detect traces of the writer’s creative work with historical material; they supplement the list of previously identified sources of Tolstoy’s recordings with new titles.

 

References

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