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This work was carried out at IWL RAS with financial support from the Russian Science Foundation, project no. 23-28-00450 “Wholeness / Fragmentation: L. Tolstoy’s Aesthetics in Philosophical Criticism and Theory of Literature in the First Third of the 20th Century” (https://rscf.ru/ project/23-28-00450/).

Keywords: M. O. Gershenzon, L. N. Tolstoy, philosophy of love, literary form, fragmentariness, aphorism, diary, essay.
For citation:

Smirnova, N. N. “Love and Literary Form: L. N. Tolstoy’s Ideas Recepted by M. O. Gershenzon.” Dva veka russkoi klassiki, vol. 6, no. 4, 2024, pp. 126–137. (In Russ.) https://doi.org/10.22455/2686-7494-2024-6-4-126-137

Author: Natalia N. Smirnova
Information about the author:

Natalia N. Smirnova, DSc in Philology, Senior Researcher, A. M. Gorky Institute of World Literature of the Russian Academy of Sciences, Povarskaya St., 25A, bld. 1, 121069 Moscow, Russia.

ORCID ID: https://orcid.org/0000-0001-6980-7353

E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

Received: May 12, 2024
Approved after reviewing: July 04, 2024
Published: December 25, 2024
Issue: 2024 Volume 6 No. 4
Department: Russian Literature of the 18th–19th Centuries
Pages: 126–137
DOI: https://doi.org/10.22455/2686-7494-2024-6-4-126-137
EDN:

https://elibrary.ru/HKMBJK

UDK: 821.161.1.09"19"
Publication Type: Research Article

Abstract: The paper examines the influence of L. N. Tolstoy’s thought on the literary and philosophical ideas of M. O. Gershenzon. The development of M. O. Gershenzon’s philosophical search relies on the philosophy of love of L. N. Tolstoy. The research traces the evolution of this search from the 1900s until the 1920s (the period of work on “The Triple Image of Perfection” and the book “Gulfstream”). The article highlights the influence of Tolstoy’s search for a new mode of narration (“without any form”) on literary criticism and humanitarian thought in the first quarter of the 20th century. The author concludes that the evolution of Tolstoy’s thought on the narrative technique influenced many areas of the intellectual culture of the 20th century. Tolstoy’s ideas significantly influenced M. O. Gershenzon, from early responses to the philosophy of love to reflection on the essence of literary form and “cohesion” as the base of the slow reading theory.

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