2026 Volume 8 No. 1
Andrić Neda, Radojević Jovan.
A. P. Chekhov: Between Orthodoxy and Nihilism
Vasilii G. Shchukin.
Liya E. Bushkanets.
Tatiana G. Dubinina.
Dads, Papas, and Fathers in A. P. Chekhov’s Prose
Irina A. Belyaeva.
Vera V. Koroleva, Svetlana V. Buzina.
Rethinking Hoffmann’s Traditions in Chekhov’s Early Stories
Margarita M. Odesskaya.
Aleksandra V. Toichkina.
The “Epiphany Plot” in Chekhov’s Work (Notes on the Topic “Dostoevsky and Chekhov”)
Gong Qingqing.
The Poetics of Mobility and Fluidity in the Dramaturgy of Anton Chekhov
Elena V. Astashenko.
A. P. Chekhov’s “Art” in the Context of Prose at the Turn of the 19th and 20th Centuries
Svetlana M. Demkina.
Maxim Gorky as an Epigon of A. P. Chekhov and the “Theatre of Mood” (Vsevolod Meyerhold)
Tatiana V. Korenkova.
Yulva Muhurcisi.
Natalia N. Smirnova.
Chekhov’s “Stopped Reading Poetry or Novels” and “Crisis of Imagination”
Natalia N. Arsentieva.
Marzieh Yahyapour, Janolah Karimi-Motahhar.
Chekhov’s “Cherry Orchard” Still Blooms in Iran
Ranjana Banerjee.
The Chekhovian Tradition in Indian Literature
Jasmina Vojvodić.
A New Chekhov in Zagreb (“A Play Without a Title” 2025 at the Zagreb Youth Theatre)
Yuri V. Domanski.
A. P. Chekhov’s Plays in Guzel Yakhina’s Novel “Eisen”: On the Importance of What’s in Parentheses







