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<article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" article-type="research-article" dtd-version="1.2" xml:lang="en">
  <front>
    <journal-meta>
      <journal-id journal-id-type="publisher-id" xml:lang="en">Two centuries of the Russian classics</journal-id>
      <journal-title-group>
        <journal-title>Two centuries of the Russian classics</journal-title>
      </journal-title-group>
      <issn publication-format="electronic">2686-7494</issn>
      <publisher>
        <publisher-name xml:lang="en">IWL RAS</publisher-name>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="doi">https://doi.org/10.22455/2686-7494-2026-8-2-342-369</article-id>
      <article-categories>
        <subj-group subj-group-type="article-type" xml:lang="en">
          <subject>Research Article</subject>
        </subj-group>
        <subj-group subj-group-type="heading" xml:lang="en">
          <subject>Articles</subject>
        </subj-group>
      </article-categories>
      <title-group>
        <article-title>About Artistic Integration in the Poetics of Russian Realism: Pushkin — Turgenev — Tchaikovsky</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <name name-style="western" xml:lang="en">
            <surname>Shvedova</surname>
            <given-names>Svetlana O.</given-names>
          </name>
          <email>red@rusklassika.ru</email>
        </contrib>
      </contrib-group>
      <pub-date pub-type="collection">
        <pub-date pub-type="pub" iso-8601-date="2026-06-25" publication-format="electronic">
          <day>25</day>
          <month>06</month>
          <year>2026</year>
        </pub-date>
      </pub-date>
      <volume>8</volume>
      <issue>2</issue>
      <fpage>342</fpage>
      <lpage>369</lpage>
      <kwd-group xml:lang="en">
        <kwd>Russian realism</kwd>
        <kwd>opera “Eugene Onegin</kwd>
        <kwd>” A. S. Pushkin</kwd>
        <kwd>I. S. Turgenev</kwd>
        <kwd>P. I. Tchaikovsky</kwd>
      </kwd-group>
      <permissions>
        <copyright-statement>Copyright © 2026, IWL RAS</copyright-statement>
        <copyright-year>2026</copyright-year>
      </permissions>
      <abstract>This article examines the specifics of P. I. Tchaikovsky’s creative “rereading” of A. S. Pushkin’s novel in verse “Eugene Onegin,” as expressed in the innovative poetics of “lyrical scenes.” The analysis focuses not on the methods of translation from one art form to another, but on the phenomenon of literature- centricity, characteristic of 19th-century aesthetic thinking. This phenomenon is linked to the composer’s particular perception of Pushkin’s work and the aesthetic forms in which it is reinterpreted in the musical composition. The study draws on music criticism, literary studies, and musicological research that document and explore the connections between Tchaikovsky’s opera and Pushkin’s novel, as well as literary phenomena of the second half of the 19th century that developed the Pushkin tradition. The fact that the opera was a success on stage among his contemporaries, unexpected for the composer himself, can be explained by the special nature of Tchaikovsky’s creative perception of Pushkin’s novel through the “optics” of contemporary realistic literature.</abstract>
    </article-meta>
  </front>
  <back>
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  </back>
</article>
